Tag Archives: ezrakh

More Goodies from EZRAKH

11 Feb

EZRAKH has also graced us with a great remix of Consequence’s (ft. Kanye West and John Legend)”Whatever You Want”

Enjoy!
Whatever You Want (EZRAKH s Diaspora Remix) produced by EZRAKH

- Retail DJ

Get Ready With EZRAKH – The Mix

11 Feb

EZRAKH has made Retail DJ an awesome mix for all the readers to get ready to! With a tracklist that includes a wide range of artists–from Todd Edwards and Kanye West to Fela Kuti and Jamiroquai–almost any and everyone is bound to love it.

A note from EZRAKH:

I was listening to the mix all the way through, and I realized it has a pretty positive feel to it. It’s uplifting. Hopefully people get that from it. It has a real soulful feel. It’s one of those mixes you’d play in the morning when you’re getting up, about to go to work, or before you go out.

For more about EZRAKH, check out our What’s Good Interviews Part One and Part Two as well as our Get Ready With EZRAKH feature. Enjoy this mix!

Retail DJ Presents Get Ready With EZRAKH – The Mix

Retail DJ Presents Get Ready With EZRAKH – the Mix by EZRAKH

tracklist:

Jamiroquai-”Canned Heat (MAW Dubapella)”/Farley Jackmaster Funk-”Dub Your Body Intro”
Osunlade-”My Reflection”
Kanye West-”Addiction (Kenny Dope & Terry Hunter Remix)
Ben Watt Ft. Estelle-”Pop A Cap In Your Ass
Michelle Weeks-”A Purpose (1200 Warriors Vocal Mix)”
MD Xpress-”God Made Me Phunky”
Todd Edwards-”Winter Behavior’
Omar-”It’s So’
Crazy Cousinz-”Bongo Jam”
Trackheadz-”Feel”
Fela Kuti-”Viva Nigeria”

——-

Acknowledgements:

A special thanks goes out to EZRAKH for being kind of enough to work with us. His talent will certainly get him recognized, but his general demeanor and love for life will get him everywhere.

Thanks to Amy and Lilibeth for alerting me to EZRAKH’s work!

Thanks, as always, to Kristal Munoz, amazing Retail DJ photographer, for her talent at working a flash and a lens.

- Retail DJ

Get Ready With EZRAKH

11 Feb

EZRAKH

Despite his ever-evolving and multi-layered musical tastes and talents, at the end of the day, EZRAKH likes to define himself as “simple” and “classic” when it comes to style. A big fan of Uniqlo, EZRAKH’s main concerns are comfort and fit. Yet within this aesthetic, style is not lost. With touches of color, hints of texture, and the inclusion of accessories chock full of sentimental value and backstories, you could say that EZRAKH’s style can get as deep as his music does. With that said, come with us for a moment as we Get Ready With EZRAKH:

BEFORE

 

Retail DJ: What makes your “comfy jeans” so comfy? Are they worn in or were they like that already?

EZRAKH: They are worn in but comfortable when I bought them. They are selvedge, from Uniqlo. Uniqlo is like my favorite brand as of now. I like more fitted clothing. These definitely fit me pretty well. They’re worn in, as you can see. I had to patch the whole underside of them. I guess also because the denim is a little more worn, it makes them feel less stiff.

 

EZRAKH showing us the underside of the shirt

Retail DJ: Where is your shirt from?
EZRAKH: This is actually an old Abercrombie & Fitch shirt. That’s where I worked when I worked in retail. But it fits so well, but I don’t like that print on it.

Retail DJ: Oh so that’s why you wear it on the wrong side?
EZRAKH: Yeah, the other side says “Baghdad Ass Up”

Retail DJ: Ah no wonder you wear it in reverse! I was wondering about that. Can you show us the print?
[demonstrates]
Why would they ever make a shirt like that!??! Were you there during the Asian shirts controversy?
EZRAKH: I was there toward the end of it. I was in high school. That was like my first real job. And I remember being like, “Whoa, Abercrombie!” That was the cool thing then. They always used to give us free clothes. But yeah, even this shirt is pretty offensive. It was right around the time of the war—right after shock and awe in Iraq. And then they put this shirt out. It’s like ok, it sounds like “back dat ass up,” but using Baghdad, especially at this time—it was pretty offensive.

 

Retail DJ: Your pants are form Uniqlo. Your belt is from. . . ? do you remember?
EZRAKH: No, some random store.

 

 

Retail DJ: Where is your jacket from?
EZRAKH: This one I found at Urban Outfitters a couple years ago.
Retail DJ: I like the yellow lining. It’s a nice touch.
EZRAKH: Yeah, it’s a good accent on it right?
Retail DJ: And your scarf is from?
EZRAKH: Uniqlo. I love Uniqlo. It’s a really good store. I wasn’t messing around!

 

 Retail DJ: Buttons!
EZRAKH: Yeah, my students like it too. I actually got it from one of my students, come to think about it.
Retail DJ: That’s awesome

Retail DJ: Is there anything you have to have on accessory-wise? For example, do you always wear this watch?
EZRAKH: Yeah, I got it this summer. I was like, “I want to start getting serious about things.” I mean, yeah, obviously I was doing music before then and other jobs and whatever, but I never really had a watch—with the exception of when I was a kid. But back then, you know, watches—you’d lose them, break them, whatever. But I realized, “Ok, I need to get a serious watch, and keep the exact time on it.” I wanted to be more prudent when it came to getting to places I needed to be, especially given the fact that I am DJing and I have to travel to different places to DJ, etc. People are paying me, and if I want to get paid again or paid the full amount, or just, in general, to provide a good service, the least I can do is get there on time.

I find myself looking at it a lot for no reason. For example, someone might ask, “What’s the date?” and I end up looking at my watch to answer, even though that’s not on there. [laughs] Even when asked about dates of future events etc, I’ll look at it. For some reason, I guess I just associate time (in general) with my watch now. That’s a good thing. It makes me feel mature, and it’s a good accessory to have.

Retail DJ: The shoes?
EZRAKH: They are Clarks. I have flat feet unfortunately, it sucks. But these are comfortable, and I put these Dr. Scholl’s insoles in to make them even more so.
Retail DJ: When you’re performing, do you wear those shoes as well, or do you wear something different considering you know you will be on your feet for long periods of time?
EZRAKH: These are probably the most comfortable to wear when I’m DJing. I like Vans a lot too. It’s like, my favorite shoe. I like Vans and Clarks for their simplicity. But I am generally a pretty simple dude when it comes to physical stuff.

 

outfit 1

Retail DJ: Is that a word you would use to describe your style in general: Simple?
EZRAKH: I guess “Classic’ would be the best word. I mean you have these trends that come through, like Hammer pants and now there’s a big streetwear revival. I feel like jeans and a t-shirt or jeans and an Oxford [shirt] if it’s an occasion.. . or even chinos, khaki pants.
Retail DJ: They never go out of style.

 

 

EZRAKH: Yeah, exactly. Those are classic pieces. You can find people, at least in western countries, all around the world, wearing those styles. It’s just the most comfortable. You don’t have to worry about wasting your money. Sometimes, it’s cool to be trendy. Take my glasses for example. At the time I bought them, I honestly needed glasses. Call them a trend if you will, but I think they fit my face, I know I didn’t want wire frames. I wanted something strong and durable. I bought them for next to nothing at the optometrist. Given the fact that they’re not necessarily the “in style” glasses for everyone, they were cheap, so I tried them on. I tried on several types, not just the wayfarer styles, but I wanted something that felt like it had some weight durability wise. I didn’t want something that would break easily. You obviously see people out there—no offense to people with small heads—with smaller facial structures wearing these big wide glasses that don’t fit too well (and you can even get variations on that style that fit their faces better).

 

EZRAKH:But like I said—stick to classic stuff and add things like colors. I like grays a lot. Grays, reds, purple, and once in a while, orange. This winter, I’ve been wearing this orange jacket that I love.
Retail DJ: Is that your favorite color right now?
EZRAKH: Well, it’s my favorite color jacket to wear right now [laughs] It’s reversible too! I bought it from Uniqlo!
Retail DJ: You are going to get a kickback from them for this interview! [laughs]

Retail DJ: So to go back, you mentioned you like purple. When I heard that, I immediately started playing “We All Wanna Be Prince” by Felix da Housecat in my head!

 

outfit 2

Retail DJ: Are you influenced by any artists style-wise?
EZRAKH: Consciously, I don’t think so. I don’t go so far as to wear Sgt. Pepper outfits and 4-inch heels like Prince. I mean, you see people like Kanye West. He’ll sometimes randomly go on this outlandish kick and put on something that makes you go, “Whoa, that’s wild.” But generally, when he tones it down a little, you could maybe compare it to that. But like I said, I don’t really think so. It’s more about “Can I wear that?” and “Would it look good one me” rather than, “Hey, I wanna get that because it looks so awesome . . . on him.” You know? Retail DJ: [laughs]
Like, “Am I Kanye West?” [laughs]
Retail DJ: Quote of the day! [laughs]

Retail DJ: So back to fashion trends. . . did you fall into any bad ones?
EZRAKH: Abercrombie & Fitch. But it’s because I worked there. I feel like that was a bad fashion trend . . . yeah, that was bad!
Retail DJ: Well was everything you wore from Abercrombie? Is that how bad it was?
EZRAKH: Yeah. I worked there. It was my first job. I’d get 40% off everything. Randomly, they’d give out pairs of jeans, new stuff that was coming out, etc. They’d give it to the workers because they have this idea of brand representation—which a lot of stores too—but theirs is hardline. Even in the 5th avenue store—my girlfriend used to work there—they pick out your outfit there. You’d have to go in 30 minutes before work and they would dress you, which I guess is cool, but like…what? I thought I just wanted to fold clothes and get some money. I didn’t know I was gonna have to do all that and wear a uniform.
Retail DJ: Well even for guys, aren’t they usually shirtless and in a pair of pants? I mean sometimes you walk by, and it’s like, “Where is your shirt? Where are your clothes? Do you sell clothes?” [laughs]
EZRAKH: Yeah, I know, right?! I feel like they sell more of an idea to people, an idea that you can be like the people you see on the advertising. And sure, a lot of companies do that, but they are more hardcore about it. It’s practically porno.

Retail DJ: Well I see you use Scope. Are there certain brand favorites?
EZRAKH: I was raised in a vegan household, eating all natural stuff, no chemicals. The only thing we’d use for mouthwash was this hydrogen peroxide mouthwash. That’s the safest for you apparently because there are tons of other stuff in that. [pointing to the Scope] I actually bought that when I was on my way to Chicago.

Retail DJ: Do you get really hot when you play?
EZRAKH: Yeah, that’s the thing. I wouldn’t wear a button-up in the summer. It would be something light like a t-shirt. Even in the winter, indoor places, unless it’s a special occasion, I don’t really favor dressing up too much. It’s a good look, though, if I am going to a show or out to dinner, but only for special occasions.

Retail DJ: Who taught you how to tie a tie?
EZRAKH: Honestly? I taught myself. I know that sounds sooo bullsh*t. But considering I am in a single-parent home, and my single parent is a mother. . . There were tied ties in a drawer from my brother when he had gone off to school, and I was like, “Whoa, I need to stop with these clip-ons.” I saw the ties and I would take them apart and try to tie them on my own. I finally mastered it. The process was messy. But I remember one weekend, I went to go see my dad, and he cleared it up for me. [laughs]

Retail DJ: What kind of knot do you typically use?
EZRAKH: Windsor not. Half Windsor, depending on the length of the tie (like if it’s a short tie, I’ll use a half-Windsor).

Retail DJ: If we had to stock your green room, what would we put in it?
EZRAKH: Mine would be dark chocolate—68%. I love chocolate, but I really like dark chocolate. It’s amazing. It’s really good and good for you. It has tons of antioxidants, it’s calming, etc. I would also want Guinness . . . and Trader Joe’s kettle corn.

EZRAKH wearing the hat while DJing

Retail DJ: What about music performance essentials for you? Any items you always need, clothing or otherwise?
EZRAKH: I usually wear this gray hat a lot. I wear it everywhere—when I am DJing, when I’m not. It’s more of a winter thing.
Retail DJ: Is it lucky or anything, or just a habit?
EZRAKH: I like the look of it. I feel like when i wear it with the peacoat especially, I feel very official . . . and naval. Like, I’m down at the docks! [laughs] I’m just kidding! I think it fits me. If something works for me, I’m not going to change it.

 

 

 

To see the entire Get Ready With EZRAKH photoshoot, check out the slideshow by clicking HERE

- Retail DJ

What’s Good? EZRAKH (Part Two)

9 Feb

EZRAKH

Continued from What’s Good? EZRAKH (Part 1) . . .

Retail DJ: Beyond the ones that aren’t from your brother or your friend—where did you buy those? Where do you generally find records?

EZRAKH: Well, I actually used to have an internship at Turntable Lab. They’re a good spot to go to. Like I said, I don’t really buy new records that much—everything’s moving away from physical formats. If I do, randomly, like if I’m in the mood and I’m on 6th Ave near the Village . . . you know how the people have tables set up?

Retail DJ: Yeah.

EZRAKH: A lot of the guys with those big record tables set up—if I have time and I’m there, I’ll just sit for a couple minutes and look for something. That’s how I found the Herb Alpert “Rise” record. Just randomly doing things like that, I can come across good stuff. I found a pressing of “The Message” by Grandmaster Flash and the Furious Five like that as well. It’s not that I don’t want to [buy records/music]. I support the artists by buying their digital formats mostly. But if there’s something I really want I’ll get it. One of the things on my list to get actually is Only Built for Cuban Links II [by Raekwon]. Turntable lab has it on purple vinyl. So I’m probably going to be getting that soon!

Retail DJ: What do you mean by “purple vinyl”?

EZRAKH: It’s just the colored vinyl.

Retail DJ: Does it play differently or is it totally for aesthetics?

EZRAKH: Nope—plays the same. It’s more of an aesthetic thing. I mean, for Serato, when they put the colored vinyl thing out, it’s all for aesthetic. But even when you have actual records, in some cases, they’re probably collectors’ editions and/or have only a certain amount of pressings.

Retail DJ: So besides these favorites that you pulled for us, if we were to raid your computer or iPod (or whatever you listen to when you’re on the go), what do you think would be your top 5 songs right now? What is presently on heavy rotation?

EZRAKH: Right now. . . I really like Shafiq Husayn’s  album En A-Free-Ka. He’s really great in terms of music. It’s all-in-all a great album. He’s actually one of the members of Sa-Ra. His songs “Changes” and “Le’Star” are my two favorites of his. I’ll have to play those later for you.

Le’Star:

Changes:

Retail DJ: It’s more like funk and soul, right? Because I feel like that’s what a lot of the Sa-Ra tracks sounded like.

EZRAKH: Well yeah, that’s the great thing about it. You can’t put his or Sa-Ra’s music in a box really, because it still has a hip hop aesthetic to it. They do these songs where they’re like, chatting or rapping over them, and it’s like, “This sounds like old school hip hop party music, but it’s so soulful and futuristic!” So in that respect, you really can’t necessarily classify them as of yet. I feel like they’re doing something great by just creating new sounds—or, at least, blending old sounds to create something new.

I’m also listening to MF Doom – “Absolutely.” This is a good track. It’s from his album Born Like This.

J*Davey came out with a new EP that’s really good, but one of my favorite songs that I’ve had on rotation from them lately is “Li’l Big Heads”

Retail DJ: Yeah! I like that song. It has the weirdest video. Have you seen the video? 

EZRAKH: Nah, I haven’t seen the video.

Retail DJ: It’s crazy and involves claymation things that fight:
http://vids.myspace.com/index.cfm?fuseaction=vids.individual&videoid=37342967

EZRAKH: Hmmm…I’m also listening to –and it’s not new, but it’s been on heavy rotation on my iPod—Roy Ayers’ and Fela Kuti’s album Upside Down. They have a song called 2000 Black that’s really good. It’s like…13 minutes long (like every Fela Kuti song)! [laughs] But it’s really good!

Hmmm…one more? How could I forget? I saved the best for last: Jay Electronica.

Retail DJ: Yeah! It’s crazy—I was just about to ask you about him! Perfect segue.

EZRAKH: He gets me excited and amped about hip hop again. He conjures good feelings about where hip hop could still go because he has a classic feel that harks upon Rakim, Nas (Illmatic). He has a style like that, but on the same end, he goes and flips it on people and does 9 minute songs over movie scores. He raps over Radiohead. That’s actually the song I’m really feeling right now: “Uzi Weighs a Ton”

I just feel real tough when I listen to it. [laughs] It’s that kinda track. It’s really dope. And he lays everything down. No matter what your beliefs are, he really is saying something positive in his rhymes. I just hope more people get the chance to hear it. I hope that certain powers that be aren’t fearful of what he can say because, I mean, he’s saying a lot of great stuff.

Retail DJ: I noticed that on your blog—which I know you don’t get to update that often, but when you do, there’s awesome content—you mentioned him on his January 1st post. He was also brought up by NSR, an MC we recently interviewed. Everyone’s talking about him! He’s an underground artist, but then in some ways he’s not because he’s become really popular these days. Who else is out there whom you could classify as “underground” that you hope blows up and gets more recognition?

To Read More, Click Below

(more…)

What’s Good? EZRAKH (Part One)

8 Feb

Do you ever meet people whom you look at and wonder where they will be in 10 years, knowing that it will be a much more awesome place than you might ever see in your entire life? I felt that way when I met EZRAKH. It was a freezing cold day out in Rahway, New Jersey, the place where the super talented Ezra Jared Khalil Herbert calls home. Armed with a tape recorder and my laptop, I set out thinking I’d find a good DJ, and I left feeling like the settlers did when they found something of worth during the Gold Rush. Incredibly knowledgeable of music, filled to the brim with talent, and possessing the prized ability to make one fall in love with music all over again, EZRAKH has nothing to be modest about. Despite his musical gift, EZRAKH is down-to-Earth, open minded, and ultimately just wants to share the good music of the greats with the rest of the world. So take a moment from your day and check out the one I spent finding out what’s good with EZRAKH:

Retail DJ: I want to start by talking about your trip to Chicago. The first track of yours we featured on the site was your Windy City Mix, which is amazing in that is has a ton of old school house, juke, and all kinds of stuff going on in it. Can you tell us a little bit about that trip? How is the scene in Chicago different from that of New York?

EZRAKH: All in all, it was a great trip. It was certainly an experience going out there. I got to spin at two separate venues. One was the Honey’Comb HideOut [at the Elastic Arts Foundation]. It’s on Milwaukee Ave. in an area they say is a bit like the SoHo of Chicago. It was a friend of mine, an artist named Drunken Monkeee, who threw the party. He’s pretty big in Chicago—definitely a crowd favorite. He has a good following out there. The vibe was great. The second venue I played was the Dark Room, which is also a great venue. They have a great setting, great sound. I DJed not only for Drunken Monkeee’s live performance, but I got to switch off with DJ FreezeRock, who’s a great hip hop and house DJ from Chicago. He actually blessed me with a lot of good house music as well. Like I said, all in all, it was definitely a great experience.

I feel like out in Chicago, they are more willing to explore sounds. They are not afraid of their creativity and being able to show that to people. People really appreciate it there. I feel like their ears are more open, their minds are more open. Though I think that could also be the result of the great blend of people out there. You have a lot of old soul and greats like Miles Davis, Curtis Mayfield, the evolution of house . . . It’s just a great city, especially in terms of music. It’s a place that has really helped American music evolve, as well as international music for that matter.
 
Retail DJ: How did that gig actually get started? Was it solely through your friend Drunken Monkeee or had you lived there before and made connections then?

EZRAKH: Well, Drunken Monkeee’s fiancée is actually my cousin.

Retail DJ: That helps!

EZRAKH: Yeah, it definitely helps. A little bit of nepotism. [laughs] But I had met him over the summer at a family reunion, actually, and he was just telling me about the scene out in Chicago. So I told him I DJ, and we said then that we need to definitely link up because as artists, especially underground/non-mainstream artists. I think that one of the key things you have to do is link up with other artists—be they on the mainstream or non-mainstream level. It’s especially important that you connect with artists from other parts of the country and the world in order to create something lasting like an artistic exchange (throughout various cities and different cultures). It can influence a person’s art for the better.

Retail DJ: What are some of the tracks, if you can remember, that you played during your shows in Chicago? 

EZRAKH: I’m really big into the UK funky [house] genre, if you want to call it that. The music and the scene is a mix of things: dancehall, UK garage, and Afrobeat. I played a lot of that out there and people hadn’t heard it before, but they were definitely feeling it. One of the tracks I played at both shows was, of course, “Soul Makossa” by Manu Dibango.

That’s a good one. Everybody knew that one, so they felt that. I was able to branch into some Fela [Kuti] and then get on an even deeper side of things in terms of the UK funky[house] genre with Lil Silva, Roska—he’s really good. 

Retail DJ: Yeah, I love him!

EZRAKH: Yeah, he’s really good. He’s good at mixing the aspects of deep house, dancehall, and UK garage together. Even those guys L-Vis 1990, they have some pretty killer tunes. They are a little more on the electro side, but they definitely create really good stuff.

Retail DJ: I’ve noticed that in some of your mixes, every now and then, you drop some Brazilian stuff. You’ve even had some funk carioca on a mix. Did you play any of that, or no? Was it mainly British and dancehall stuff?

EZRAKH: Unfortunately, no, I didn’t get to play any of it there, but I am sure they would have liked that as well. When I was DJing, I really hadn’t organized anything. A lot of the time, when I DJ, I start of with some tracks that I feel are a good blend between something that they’ll know, something that’s classic, and something that fits into the sound I am trying to create for a set. Then it’s just all off the cuff. If they feel it, then great. I try to blend in stuff that they know, then do remixes and stuff like that. At the end, I just hope that they’ll feel it, and out there, they did! They definitely do out here as well, but it was just very surprising out there, and I am happy that I was able to experience that.

Retail DJ: As a DJ who’s based in NJ, considering you were talking about feeling things out there and out here, when you say “here,” are you referring to New Jersey, New York? Where is your “base” in terms of playing and DJing out?

EZRAKH: When I say that, I mean New Jersey and, in some cases, New York. I was blessed to have a residency at Bob Bar on the Lower East Side. The mix that I gave the manager was a more funky, Afrobeat mix. And he was like, “Yeah, you know I love this! It reminds me of Fort Greene, back in the days when I partied there. But the thing is—this was a hip hop club. I’d actually done their Halloween party. I would say it’s definitely tough when you have a mainstream crowd, because it’s harder to drop things, to ease certain sounds onto people.

But going back, mainly when I say “here,” I mean New Jersey, top 40 clubs, stuff like that. . . places like Manhattan. But that’s understandable. At those types of clubs, people don’t necessarily go there to gain a new musical experience. But I also spin in Brooklyn. I’ve been to a place in Bushwick called House of Yes. They are really open to all kinds of sounds there. In the venues and small parties I’ve done in Brooklyn, people are definitely more open to different types of music. I feel like the culture in Brooklyn—and no disrespect to Manhattan, because it has a great culture as well—is more mashed up and blended. Even when you look at Manhattan, it’s sorta separated.

Retail DJ: Big time.

EZRAKH: But when you look at Brooklyn—although it definitely has its separations and sections and everything—I feel like there’s a great spirit of culture and love out there.

Retail DJ: So what’s hot in New Jersey right now? What is the vibe musically where you are playing now?

EZRAKH: Well, Jersey’s all about club music, even since the late 80s, early 90s. Nowadays, when you hear the term “club music,” you think of Baltimore club, Philly club, Jersey club, though that’s all an offshoot of the original Baltimore stuff. People like DJ Tameil, Tim Dolla, Brick Bandits, and even DJ Sega out in Philly—they are really creating really hard hitting stuff. They’re making great sounds and they’re able to blend that hardcore, raw club music that you hear with crazy stuff you’ve never heard before. For example, you have remixes of Sponge Bob Squarepants. I think that’s a Baltimore track, actually. And DJ Tameil does remixes of like, Pon de Floor, DJs from Brick Bandits are doing remixes of La Roux, etc.

I feel like generally though, just as a scene or an environment, a vibe, it’s a little stagnant. Props to DJ Walla, because he’s doing his thing, but it’s like an abyss. It’s always DJ Wallah and a lot of heavy hitters out here are doing their thing with parties, and that’s cool because they get people out. But in terms of really just creating something new, I feel like that needs to happen very soon.

Retail DJ: Maybe you’ll be the one to do that!

EZRAKH: Yeah, I hope so.

Retail DJ: Now we are putting all this pressure on you! [laughs]

EZRAKH: I mean, I’ll try! I am working with a couple of really great DJs: DJ Reck and DJ O for 1. They have a radio show, Late Night Left on 107.9, Caribbean Zone. DJ Tameil also does guest sets there. They’re trying to really push for that expansion of sound and music culture.

EZRAKH’s Late Night Left Set (from 2.2.10):
EZRAKH- LNL DJ Set by ezrakh

Retail DJ: Going back a bit, you clearly are one of those people who is deeply into music, and that’s totally respectable and awesome. I was wondering how that all started. Take us back to baby Ezra, and help us pinpoint where this love of music came from.

EZRAKH: Baby Ezra, toddler sister Amy, and older brother…we all used to dance to the rhythm of the washing machine.

Retail DJ: Awww!

To Read More, click below

(more…)

A Sneak Peek at Ezrakh . . .

5 Feb

Here’s a sneak peek at the amazingly talented artist that is Ezrakh, aka Ezra Herbert. We met up with him last week on a super cold day and left with warmth in our hearts from the hope that good music and skill are both still actually in existence. Ezrakh is a reminder that they actually are thriving. Here’s Ezrakh giving us a live demo of his work:

Tracks in this video: Mr. Fingers- “Mystery Of Love” 2. Michael Jackson-”Liberian Girl (Funky Remix)” 3. Mujava-”Township Funk”(I ended the video right as Ezrakh was adding that one in)

- Retail DJ

Mix on Tap: Coffee Never Sounded So Good

22 Jan

Tonight, I came across a hot mix (by way of EZRAKH) that had Mid-West juke, ghettotech, booty electro, and tech house as its centerpieces. While I attempted to sit still while listening in order to focus on some writing, I couldn’t help but start bouncing off the walls. The breaking point? The track “It’s Time for the Percolator.”

The song itself is one of the grandfathers of booty electro, its matching dance coming from another grandfather: the Charleston. Here’s a youtube take on variations of the Charleston matched with the track at hand:

Here’s the modern take:

The song title and my jumpiness reminded me of the obvious. I know that so many of us drink Red Bull or some other energy drink with alcohol, but the more sophisticated answer is obviously mixing alcohol with Red Bull’s darker, older sibling: coffee. With that said, enjoy this amazing mix and a little mix on tap involving the substance that keeps me alive in the morning. May it also wake up your nights.

Windy City Mix by EZRAKH
Windy City Mix by EZRAKH by retaildjdropbox

 (tracklist can be found in the Music Archive)

Espresso Martini

ingredients: 1 shot of cold espresso, 1.5 shots of stoli vanilla, 1 shot of creme de cacao, 1.5 shot sof Kahlua, dark chocolate syrup

  • line a glass with drizzled dark chocolate syrup
  •  mix all the ingredients (shake for frothy effect)
  • pour into glass to serve
  • get twisted

- Retail DJ

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