Archive | November, 2010

Get Ready With Whitney Day – The Mix

27 Nov

The child of parents who actually met at a disco, it’s no surprise that DJ Whitney Day would have an intrinsic connection to music. The mix that she put together for all you Retail DJ readers to use as you get ready is a perfect example of how deep that connection goes. With a range from jazz, British hip hop, nu disco, and percussion-heavy beats, this funky mix takes you all over the place, but finds its home in your soul. May you enjoy it as much as I did as you Get Ready With Whitney Day:

Get Ready With Whitney Day – The Mix

(click to play; click the small arrow on the right to download)

tracklist (song – artist)

Losing Gamble – Bellcrash
An Exotic Breed – Dusty
Missing You – Louis La Roche
When We Were Young – Sneaky Sound System
Any Which Way – Scissor Sisters
Detroit Jazzin’ – Inverse Cinematics
Throw It Down – Wine & Cheese
Don’t Do It – Salvador Santana
Street Sound – The Pimps Of Joytime
Get On Down – Mr. Scruff

 

Acknowledgments after the jump

(more…)

Friday Fashion Fail: WTForever21?

26 Nov

Just in time for Black Friday, the Superbowl of shopping days, I came across this site via Jezebel. It’s a lovely visual amalgamation of all the things I love to hate about Forever 21 (though, admittedly, they sometimes have really cute items, many of which I profile on this very site) called WTForever21?. On the site, they round up the fugliest finds from Forever 21 along with a litle commentary that’s worthy of a lot of laughs. Imagine Friday Fashion Fail, but focused on one store. Good luck staying away from the worst items profiled as you shop today.

Here’s a preview:

Crushed poop

I love rock of the 90′s.

But I hate the fashion.

 

ESPECIALLY the horrific crushed velvet blouse trend.

This monstrosity turns an otherwise very pretty girl into someone you’d be disappointed to sit next to on a plane because you know all they would want to do was talk about their coven and “The Goddess.”

Price: $19.80

Forever 21, WTF?

 

- Retail DJ

Get Ready With Whitney Day – The Photoshoot

25 Nov

Beyond allowing us to pick her brain during quite a busy week, DJ Whitney Day also let us accompany her as she got ready! What did we find out? That there’s more than meets the ear, of course, as her style is not directly linked to her music. Though her sets tend to blend old and new sounds, soul, disco, and active rhythms to get a crowd going, her style is casual cool, a t-shirt and jeans with a bit of flair. With a haircut as her signature style element, Danna keeps the crowd’s focus on the music and what’s going on with her from the neck up, as she notes that is pretty much all they get to see of her (unless she decides to join them on the floor, which she has been known to surprise a few audiences and actually do).

With abs of steel, a smile that would make pageant queens jealous, and comfort around the camera, DJ Whitney Day was an easy subject, leaving us with so many photo options that it was a bit hard to narrow down the picks for this piece! But if you want to see for yourself, scroll down and come with us as we Get Ready With Whitney Day:

BEFORE

How would you characterize your style?

I think that being from New York, that sort of is a defining factor in and of itself. I’m a very “city” person, which to me means jeans, sneakers, sweatshirts. I’m very casual. While going to school in Massachusetts, I definitely stood out. Fashion-wise, I didn’t really look like everybody else.

What was the style like there?

Very Abercrombie, collared shirts, stuff like that. Until then, I had never seen anyone wear running sneakers with jeans out in public. I kept thinking, “Where are everyone’s Converse sneakers?” and they were like, “Huh, what’s that?” Street sneakers just didn’t really have a place there, and I would never wear like, Nike sneakers out to a bar (unless they were really cool high tops or something).

But in general, I am pretty casual. You most likely are not going to see me strutting down the street wearing high heels and halter top. Maybe for a wedding I’d make an exception [laughs] That is not to say that I am completely not feminine, but I think there are other ways to express femininity besides wearing high heels and stuff that’s really tight and uncomfortable.

What about your color schemes? Do you tend to wear a lot of dark colors like a “typical New Yorker”? Does that influence bleed into your color choices as well?

Yeah. I typically stick more toward darker colors like black, dark greens, etc, and more natural colors. Once in a while, a style or fad will come along in a neon color, and I’ll get that one neon yellow shirt or something. But I think, like most New Yorkers, you can’t go wrong with black.

But when it comes to bright colors, I see your hair is a pretty bold blonde. Is it natural or dyed? Was this to contrast all the dark colors?

I was born with blonde hair and it darkened over time. I tried wearing it brown, but I’ve just always preferred blonde. It just looks better on me. Also, my hair being somewhat of a signature of my look, something that makes me stand out as I don’t wear bright colors or sparkly outfits for my gigs, it’s something that people recognize me by. So keeping my hair this color and style, and standing out because of it, is really part of my fashion sense if you will.

Beyond your hair, are there any other signature components of your style?

I think that because my [clothing] style is so casual, my makeup also tends to go above and beyond–whether it’s through color or something more exaggerated and extreme just to stand out – especially when you’re behind the DJ booth. It doesn’t really pay to wear amazing pants because no one will see them. Hats are kind of out, for obvious reasons, as are big earrings. [laughs] Considering that what people see of you from the booth is from the neck up, keeping that bright and doing something there to stand out is important style-wise.

Do you have any makeup favorites that you’ve been employing as of late?

I’ve been into purple lately, and I go kind of heavy on the mascara and eyeliner. I think dark eyes (i.e. the smoky eye) or something a little more bright, with a splash of color, looks cool.

What about lips?

Because I was a trombone player for many years, I was used to never wearing lipstick because in the end, I would have looked like a clown. [laughs] I usually don’t wear lipstick. I only wear a little gloss, which usually wears off very quickly after my first drink, but then I don’t even bother to re-apply.

When we spoke earlier, you mentioned that you were really into the military meets preppy look. Could you explain how those two styles came together for you?

I don’t actually wear them together . . . at least, not that I can recall. [laughs] While I sometimes wear really tight jeans, I tend to wear jeans that are a little low-slung and baggier in the hip area. I really like cargo pants because you can throw them on with a t-shirt or something and it still has a bit of an edge. I’m also obsessed with this new military-style green jacket I bought. I think it’s from Free People. You just can’t go wrong with it: the hood fits into the collar, which is really convenient, and it has a ton of huge pockets, so I can put everything I need in there.

In terms of the more preppy side, I’ve been really into the straight, button-up, collared shirts, plaid shirts, and boat shoes. It’s a bit odd for me because I’ve never been a preppy person, but I think because of my hair, I never look totally preppy. [laughs] I can pull off the contrast.

Do you cut your own hair or do you go to stylist?

[laughs] Sometimes, my girlfriend cuts it for me if I am being really lazy! It’s kinda funny though, I never go to the same place. You can’t really go wrong when you cut hair like this, and even if someone messes it up (for example, I’ve gone to those Bumble and Bumble school training sessions for a cut before), in two weeks, it’s fine. I am not too sensitive about it.

Once I walked into some random place in Chinatown, and the guy cut my hair really short (which was totally fine; it’s what I asked for), but by the end, I looked like every.single.Asian male hairstylist in the place! [laughs] After he was done with me, we all looked at each other like “Yeaaah!” It had spikes on top! It was really funny. That one was maybe an extreme case, but like I said, in two weeks, it’s back to the way it used to be.

When you DJ, do you dress differently from when you just go out for fun?

No, not really. I know of some DJs who dress up to fit a certain persona, but I don’t really go for that so much. I have to be comfortable when I’m DJing because I can be up there for up to 8 hours, and it’s all on my feet. You have to consider that. You are working, and sweating (hopefully, if you’re really getting into it).

I might do something a little bit different, like put on a different piece of jewelry, but usually, I just show up to the gigs like myself. I let the music speak for itself.

Sometimes, I want to jump out onto the dancefloor, do my thing, and then jump back into the booth! I think there is this weird separation between the DJ and the audience, but I never feel that way. I feel very connected with the audience. These people are my friends, or could be my friends, and we’re just kinda hanging out. So I don’t really go for that distinction of “I’M the DJ” and I’m going to wear this insane outfit. I just keep it casual.

How do you lug around all your stuff?

I have a bag that I inherited from a friend of mine when I was working for a DJ. He has had a very big influence on me–I consider him my DJ mentor, although we’re very good friends as well. He passes down a lot to me: records, his backpack, an old mixer, this and that. So he gave me this bag, and it has a million pockets. It was very convenient because it fits a Serato box, a couple of records (which I always bring for backup just in case Serato craps out (which doesn’t happen often, but you never know. You’ve gotta play it safe)), my Serato cds, some backup needles, and tons of cables (just in case). [laughs] It’s all pretty heavy, so I wouldn’t be surprised if I start having back problems, but it’s a good way to keep everything in one place, throw it on my back, and hit the train.

AFTER

Let’s talk a little bit about your process of getting ready. What’s the order? Is there any sequence you follow?

I do try, just from experience, to put my shirt on before I do my makeup. I have had some things happen before when I didn’t. I had this white shirt with a cool design that I wanted to wear. I got ready, did my makeup, put on the shirt, then ended up with a face imprint on one side. [laughs] So I’ll do that, but for everything else, I’m usually running around my house like a madwoman, going back and forth between the bathroom and the closet, checking in the mirror, throwing things all around, and just scrambling.

I usually have tv on in the background pretty much all the time, even when I am just playing music or practice. I am not really sure why. [laughs] It’s probably just out of habit. Before a gig, though, I typically don’t play music. I just want to give my ears a rest if I am going to be playing 4, 6, 8 hours. I am just being more and more cautious about my ears. They are really important, and a lot of DJs forget about that. I’ve been reading a lot about ear health lately, and as dorky as it sounds, it’s very important. I realized that if I wanted to be DJing for a long time and working in audio, then I’d better start taking care of that.

I need a little bit of down time and quiet beforehand. I used to listen to my iPod a lot on the train before I’d go, but I try not to do that. I like to blank out my mind before hand, to keep everything empty before I step into a space, so I can properly evaluate a space and the crowd. I want to take all that in before I play.

- Retail DJ

What’s Good? DJ Whitney Day

23 Nov

DJ Whitney Day

Nowadays, DJs are a dime a dozen, and with quicker and easier access to new forms of DJ equipment, more seem to pop up each day. One of the oft uttered criticisms of the hundreds of new DJs coming up out of the woodwork is that they don’t know music. Fortunately, there are outliers who consider music their main focus. While there’s certainly no shortage of DJs who list music as their ultimate motivation here in NYC, within that group, you can dig even deeper and find DJs and producers who see their job as an expression of themselves, an art they can manipulate and use to truly reach their respective audiences.

DJ Whitney Day is one such person.

A native New Yorker, Danna Whitney Rosenthal found her start in classical music and music production, but in only one year of having gone public with her turntables, she’s truly become a force to be reckoned with in the club scene. Fortunately, her popularity hasn’t been to the detriment of her personality. With “Day” as her nickname, Danna’s outgoing and positive demeanor is truly a ray of light in a field where inflated egos and shady deals remain the norm, and her sets tend to be a direct extension of self, with pop, soul, classic disco/funk, and house woven into one another, folding the crowd into a sonic warmth from start to finish.

Though she’s leaving to spend some time South America in the next few weeks, you have some time to get to know her before she jets away for a bit. So if you can’t wait and want to see What’s Good? with DJ Whitney Day before her return, you know what to do!

What’s Good? DJ Whitney Day

(click to play; click the small arrow on the right to download)

background music: Roundtable Knights – Autumn Mix 2010

- Retail DJ

High and Low

20 Nov

Did you enjoy WooHoos interview, photoshoot, and mix? Want to see him DJing live? If so, check him out tonight @ High and Low!!!! He’ll be DJing with sTERRYo (of Da Hardy Boyz) and Dinorsaur Jr Jr live at Panda Bar (139 Chrystie Street between Delancey and Broome).

To get people hyped about tonight’s party, he put together this bonus mix. Press play and e n j o y !

(click to play; click the small arrow on the right to download)

tracklist after the jump

(more…)

Get Ready With WooHoo – The Mix

19 Nov

This exclusive Retail DJ Get Ready With WooHoo mix could not have fallen on a better day. It’s a Friday, the final day in what for many may have been a looong work week and the beginning of what will hopefully be an amazing weekend. Let this mix be the soundtrack to yours.

But before you press play, I offer some background . . .

This mix accurately reflects WooHoo’s style which, as I mentioned before, is a mix of old and new, pop and underground, fast and slow. Much like the first mixes of WooHoo’s I heard, this one is constantly moving, taking the listener on a journey through a variety of genres and tempos, the common thread of course being quality, each of his tracks well-chosen and deliberate. But unlike his previous mixes, this one has your wardrobe in mind. As he stated, rock is sometimes the soundtrack to his getting ready process, so he included a bit here to get you warmed up. As you go along, the pop and electronica come in at the perfect time, getting you in the mood to dance if you haven’t already started 10 minutes after pressing play!

But enough from me–I’ll let the music do the talking. Have a lovely Friday and don’t forget: if you’re going out, be sure to Get Ready With WooHoo:

Get Ready With WooHoo – The Mix

Retail DJ Presents Get Ready With WooHoo by WooHoo

(click to play; click the small arrow on the right to download)

tracklist:

TV On The Radio – Hours
Phantogram – Mouthful of Diamonds (Michna Remix)
Holy F#@k- Latin America
The Talking Heads – Slippery People (12″ version)
LCD Soundsystem – 45:33
The Stone Roses – Fool’s Gold
Jody Watley – Looking for a New Love
Debarge – Stop! Don’t Tease Me
Holy Ghost – I Know I Hear
Adonis – Reck the Joint
Lee Foss – Run Around
Roach Motel – Transatlantic
Bodyrox – Yeah Yeah (Ramirez Instrumental)
Flavio Diaz – Alysa
Laurent Wolf – The Crow
Sebastien Leger – The People (Eric Prydz Remix)
Karizma – Groove A “K” Ordingly
Grand High Priest – Mix Down
Robbie Rivera – Feel This (Robbie Rivera’s Original Mix)
Riva Starr – Organ D’Amour
George Morel – Everybody Sing Along (Morel Sing Along Mix)
Todd Terry – Daft Groove
Thomas Bangalter – Spinal Scratch
Cassius – 1999 (Remix) (radio edit)
WOOHOO – Runnin’

acknowledgments after the jump

(more…)

Get Ready With WooHoo – The Photoshoot

17 Nov

As a person who feels comfortable around turntables, Charles Hendricks has a deep understanding that sometimes what is old can be new, and vice versa. And if his sense of style is any indication, the idea has found its way into his life far beyond his music. When we arrived at WooHoo’s Brooklyn home for the photoshoot, he met us in a white t-shirt and jeans, which on most people looks basic, but on him, it somehow took us back to some James Dean-era outtake, but with NYC modern casual thrown in.

It’s also important to note – the boyish charm and good looks are no accident; Charles is indeed a boys’ prep school alum, the uniformed past peeking through his present style with plaid and argyle prints and vintage dress shoes. Much like his music, WooHoo’s style is a bit on the mellow side, but has a few bits that come as a total surprise. As they say, a picture says a thousand words, so I’ll lett them do the talking as we Get Ready With WooHoo:

BEFORE

I’ve noticed that you wear a lot of vintage! Your shoes are vintage, your pants are vintage…is your sweater vintage as well?

No. Filene’s Basement. [laughs] But it’s from 4 years ago, so you’d probably be able to find it in some vintage store.

How did you end up getting into vintage?

I think there are two answers to that. First, the easy answer is that you can probably find stuff that’s just cheaper, but still nicer (as long as you can get over the fact that somebody’s probably sweat in it). [laughs] So that’s the first reason. My shoes, for example (Nike Air Jordans), I found at a vintage store for about $30. Jordan 3′s are usually about a couple hundred bucks. Granted, in the condition that they’re in, they weren’t worth that much, but they’re definitely worth more than thirty. I wouldn’t go on eBay and try to outbid a bunch of sneakerheads for these shoes. I found them actually on a day when I was walking down the street, wearing a busted pair of sneakers (so busted that my friend was making fun of me). After about half a block, there was a vintage store where, in the window, I saw these. I looked at the size and price tag and thought, “That’ll work.” So I walked in, said “I’ll take ‘em,” and literally put those shoes on, took the ones that I was wearing and put them in a bag, and threw them out into a trash can at the corner of 10th and A. “Goodbye bad shoes, hello new shoes.”

Second, it’s a bit like looking for records. You never know what you’re gonna find. You could go to the same place three different times in the course of a couple weeks, and you’re going to find completely different stuff. It’s exciting. It’s not like you’re going to Uniqlo (though I like Uniqlo–good stuff, good prices), where the same stuff is going to be there.

So it’s a combination of price and the fun of exploration?

Exactly. You just put it so much better than I did. [laughs]

Speaking of prices, what’s the most expensive thing you have? What’s something on which you’re generally willing to spend a lot of money?

A good jacket. That’s probably the last thing I bought that was new.  It was a Fred Perry jacket I bought at a pop-up shop my friend was running in the Lower East Side. I went by just to say hello and ended up getting the jacket at-cost, which was about $200, but normally, at retail, it’s much more than that. So something like that, I’ll spend money on because I’ll get a lot of use out of it.

I used to feel that way about shoes. I’ve spent stupid money on shoes in the past. You can take care of them, but eventually, they’re gonna get crummy.

Were these sneakers, by any chance?

Yeah. I was a sneakerhead-lite. I wasn’t on every blog or anything following the lines, but I’d pay attention. I’d be on eBay all the time buying shoes. I’d wear them a lot, but eventually, they’d just get crummy. The way I’d lace them up, my foot would slip in the back, so I’d tear up the whole back part sometimes. It would start making wholes in my socks. It was just a money pit, so I try to keep it more reasonable now.

If you had to come up with a sentence for the clothes that you wear, if that’s possible, what would it be?

I don’t think it’s possible for me. I kinda run the gamut. I’ll wear a t-shirt and jeans, so long as it’s seasonally comfortable. Then once it starts getting cold, I’ll throw a jacket over it. Then once it starts getting too cold, then I’ll start putting on sweaters or whatever. But it’s hard for me to describe.

On the whole, I’d say I’m kind of a boring dresser. I don’t feel like I’m someone people would look at and say, “He’s got crazy style.” I feel like no one’s ever said that about me. I’m a bit lackluster. So if I had to come up with one word, I’d probably say “boring.” [laughs]

Even though you say boring, you have some interesting things going on today, like the argyle and the dress shoes. What do you think influences your style?

I went to an all-boys, Catholic school, where we’d wear stuff like this. I kinda like doing that. It’s different from, say, when you wear just a t-shirt and jeans. When you put more clothes on, it becomes more ritualistic. It’s the same as getting up in the morning and brushing your teeth. It’s one of the things you do that prepares you for the day.

So I’ll wear a t-shirt and jeans if I can, but at the same time, when I dress nicer, I feel like I can get more done. Like, “I mean business today.”

What about at work?

It’s totally casual. We don’t even wear pants. [laughs]

What about when you’re DJing? Is your style the same as when you’re going out just for fun?

Usually, but sometimes, it depends on the gig. If it’s gonna be a hot, sweaty dance party (where I’ll probably sweat ten times more than everybody else), I’ll [dress down], but if the place has a more “grown and sexy” vibe, I’ll dress that way.

Most of the time, I wear sneakers because I’m on my feet. I’ve got a bad back, so if I’m gonna be on my feet for an extended period of time, I have to consider the impact I would feel the next day. I don’t like wearing watches when I DJ because, unless it’s the best watch ever that fits me perfectly, it’s just going to slide around. Depending on what I am trying to do, that could be annoying.

But as far as accessories go, I don’t really wear accessories that much. I used to wear a necklace, but that was like 7 years ago. In the end, atmosphere is pretty much the deciding factor for me.

AFTER

Earlier, you indicated that you have “T-Shirt Time,” which is clearly an indication that you watch Jersey Shore. While I recognize their style doesn’t exactly fit yours, can you describe a little bit of your getting ready process for us?

Usually, if I need to shave or brush my teeth before I go out, then I won’t put on the clothes I’m going to wear until I am ready to leave. Also, if I’m sitting around in an outfit, it might get wrinkled. As far as the general process of getting ready, I’ll usually end up trying on 2-3 different things, but I think everyone does that.

Then before I leave, I’ll end up calling it all off. “Nope, not gonna work!” and put something else on. That’s the process: me just being indecisive until the last possible minute when I have to do something. It’s hectic and chaotic.

I listen to rock as I get ready, but I think it’s all seasonal. When it’s winter and gets darker outside earlier, I listen to music like The Smiths, which is totally cliché (though it was worse when I lived in the East Village – I felt like a walking cliché). It’s neutral to an extent.

But it kind of depends on what it is I’m going to go do. If I am going to a show, I may listen to that person’s music to get hyped, but when I am going to DJ (where I normally don’t play music that I make; it ends up being top 40 stuff, which is not ALL bad – I admit that I like a little Rihanna or Usher), I listen to current things to get ready mentally, keeping what I am going to play in mind.

- Retail DJ

 

What’s Good? WooHoo

15 Nov

WooHoo

Have you ever had a hobby that turned into a passion, which then turned into an actual career path? The answer for the average person is often no, passion-fueled professions being the stuff dreams are made of, or at least really good movies. Fortunately for some, occupational bildungsroman is a reality, with the artist evolving personally and professionally as a side interest soon becomes a main focus. This was the case for NYC-based DJ and Producer: WooHoo.

Known to family and friends as Charles Hendricks, WooHoo spent his formative years playing the violin and finding inspiration in everything from soul music early techno. But later down the line, after saving up the funds, he tried his hand at turntablism. Luckily for us, he hasn’t looked back since.

Known for channeling the spirit of French house in his productions and allowing his sound to oscillate from dance rock to tech house in a mix, WooHoo is hard to put in a box. As he dabbles in so many different genres, his only rule seems to be to make his audience have a good time. In fact, his DJ name is quite appropriate for his work, as everything he plays will make the crowd joyous on the spot.

But don’t be fooled by the light-hearted moniker. Charles takes his music seriously. He has dedicated an enormous amount of time and energy to perfecting his craft, putting on a good show, and releasing innovative tracks for a musically-starved public.

That said, let this be the first step in getting this week’s sonic sustenance and come with me to find out What’s Good? with WooHoo:

What’s Good? WooHoo

(click to play; click the small arrow on the right to download)

 

background music: Nacho Lovers – Deeper Promo Mix

 

- Retail DJ

Another Update: Retail DJ. . . Study Break?

9 Nov

Dear Readers, Listeners, Supporters, and Fans,

I’ve come to the realization that there is absolutely not enough time in a day.

Wait, I came to that realization a very long time ago, circa 7th grade.

But in the present, on the heels of a lot of things hitting a peak, I need to take a little break. No one died or anything, I just need to have a little more time to study and prepare for grad apps and tests. . . that and I need a *little* sleep :-)

However, the really good news is that the profiles from featured artists with whom I worked last month will still go up as planned AND I’ll be back here and there to give you Monday morning mixes and music to which you can do some holiday traveling.

My goal is to be back in the saddle completely by Christmas, if not earlier.

My suggestion for what to do in the meantime? Get caught up! Go back through the older posts, check out all the featured artist profiles, and have a listen to all exclusive mixes on the Retail DJ Soundcloud.

Also, get ready for the big Retail DJ 1-yr anniversary in January. More details coming soon! In the meantime, happy holidays and safe travels in advance, but don’t get too conditioned to the silence – I’m coming back with a bang!

- Retail DJ

I Love Mondays: Bigger Than The Bloggosphere

7 Nov

Charles Darkly

This weekend, like many others, seemed to fly by. October is already gone and November seems steps away from completion even though it just began. On top of all this, Monday is tomorrow, which for many means a return to reality and punching a clock.

But never fear – Retail DJ is here (feel free to deduct cool points for that line). On Friday, I did some heavy music exploration and came from the trenches with a heck of a lot. The first of my findings? A mix by Jackmode Agency-supported artist Charles Darkly.

Some of you may recall my love for Jackmode artists, but let me drop some names to remind you: Roundtable Knights, Justin Martin, Oliver $, Idiotproof, Zombie Disco Squad, and Sound Pellegrino Thermal Team (aka some of my favorite DJs/producers). Charles Darkly, much like his agency-mates, may also be familiar to you, though not under this moniker. Some of you may know him from his “You Can Call Me Pelski” mixes and blog, which happens to have a similar mission as ours:

The genre is already dispersed and scrutinized by vast throngs of scenester bloggers. The difference with this blog? I will only post the best music – none of the ‘throw-away’ fashionista rubbish clogging up so many blogs.

Gotta love the blogs that care.

Anyway, check out his latest mix “Bigger Than the Bloggersphere” and get to downloading. This will keep you awake and energized on Monday and for the rest of your work-week. Enjoy!

Charles Darkly – Bigger Than the Bloggosphere (mix for Jackmode)

(click to play; click the small arrow on the right to download)

tracklist after the jump

***

(more…)

Updates!

7 Nov

In order to keep everyone in the loop, I wanted to inform you of the following updates:

1. I am now working on Retail DJ on a more full-time basis. Though I am doing part-time day job work and grad school applications as well, you may have noticed that posts here are more frequent. This is why.

2. The Music Archive page has been removed. I am adding tracklists to every post retroactively in hopes of filling this void!

3. I am in the process of lining up interviews with featured artists for the winter season in order to continue bringing you more exclusive interviews, photoshoots, and mixes. Get excited!

4. Kristal and I are preparing for the 1-yr anniversary party for the site, so keep the end of January free – it’s going to be a great night! More details soon!

5. I am working on new features, pages, and more for the site, so just sit tight. There are more goodies to come :-)

Get Ready With Butter – The Mix

7 Nov

Along with the photoshoot and interview, the Get Ready With Butter Mix capture the character and style of Butter perfectly. After much careful deliberation and made with a set of records from around the world, the mix came together beautifully. Before releasing the mix, Brian added:

Since you first heard me play at Ludo (Vegas) in Sao Paulo, the mix began with about 100 tracks I’d take to Vegas if I were playing tonight. The mix was done quite impromptu; other than the broad initial selection there was no specific order or rehearsal. I began with tracks that would get me in the mood and continued organically. Some tracks inspired the track that follows, while others were played solely because I wanted to hear it at that moment. All very representational of a music session while getting ready for a gig. It was fun.
And indeed, it was fun for us as well and hopefully all the readers who have a listen to this incredible mix will share our sentiments. As per usual, Butter put together a set of many tracks that have yet to see their day in the sun. In some ways, it’s as if pressing play on this mix means opening your mind to a set of musical treasures. But don’t just take my word for it. Take a moment to press play and be ready for a mix that will truly be the highlight of your night as you Get Ready With Butter:


Retail DJ Presents Get Ready With Butter – The Mix

Retail DJ Presents Get Ready With Butter – The Mix by Butter

Tracklist:

01 / Get That Bdb / Awanto 3

02 / Music Sounds Better With You (Chateau Flight remix) / Stardust

03 / A Disorderly Fashion / Erdbeerschnitzel

04 / Antares / Recloose

05 / Forever And A Dub / Franc Spangler

06 / Free Disco / CDR

07 / The Warm Up / Trickski

08 / I Speak Jive (John Tejada remix) / Joe Babylon

09 / Sacred Ground / TB Knudsen & D Savi

10 / Mr Swishy (Linkwood’s Codeine Remix) / Al Tourettes & Appleblim

11 / Mystery Babylon / Ibex

12 / Revolution / Lukatron

13 / The Tracks Are Alive / Pezzner

14 / Pineapple Crush / Lone

15 / Get Around To It / Pocketknife ft. Joe Worricker

16 / Lovedazin / Morning Factory

17 / Quilombo / San Soda

 

to get more Butter, check him out at notmargarine.com or on themixtapeclub.org

 

Acknowledgments after the jump

(more…)

Get Ready With Butter – The Photoshoot

6 Nov

Though Brian Thomas likes to go through crates and crates of music before a gig, editing his choices down until minutes before leaving the house, he takes the opposite approach to style. In what he describes as “grayscale with hits of color,” personal style for Butter is a casual endeavor. He gets his inspiration from a variety of sources, one of them being the city itself. Having transitioned from LA to NYC, a great sartorial shift, he found a little more freedom and lot more space for exploration, finally settling on something that felt just right. But in the vein of Brian, who prefers to let his music speak for him, it’s time to let the photos tell his story as we Get Ready With Butter:

BEFORE

What do you typically wear on a night out when you’re DJing?
It’s not that different than what I wear any other night that I go out. It’s usually just something quite simple because I tend to dance and get hot. I move around a lot. The more that I wear, the more that it can interfere. But in general, I don’t wear anything that specific. I tend not to look at my night of DJing as if I am the star of the show because I think it’s more about the music being played than about who I am and people looking at me. I just try to blend in with my own little style as much as I can.

How would your characterize your style?
I would say it’s usually fairly “grayscale” with bright hits of color. The shoes I am wearing today are a perfect example.

Do you intend to rely on the accessories for your hints of color or is it sometimes a more central item?
They’re usually clothing pieces. I don’t wear too many accessories except for my handy dandy watch. [laughs]

Speaking of your watch, where is it from?
I bought it online. It started with a friend of mine, this guy named Bill McMullen, who made a golden MPC ring. An MPC is a piece of audio equipment for sampling. While I was searching online for that, I found other rings that were turntables, and then I found watches that were turntables, so I bought one! They’re really inexpensive. They’re by a company here in New York called Flud. I bought one from them, then I broke it. So I bought another one.

Every now and then, I’ll see someone with one on. For example, I was at a Red Bulls game three weeks ago and I saw this girl that looked nothing like a DJ—if that means anything [laughs] –wearing one. The company is not really doing anything else. They seem to have a pretty limited capacity. Since I love this watch so much, I might just go buy another 4 or 5 just in case they ever break! [laughs] They are not the best design functionally-speaking. I mean, it functions as a watch, but structurally, not so much. For example, on the other one, I broke the face, but on this one, a pin randomly fell out, and I just ended up replacing the parts with the ones from the old one.

Do you wear that when you’re playing?
Yeah.


Does it get in the way at all?
No, not at all. I wear it all the time.

When you’re getting ready to go out, what is your routine like? Any specific order? Special rituals?
Yes. When I’m just getting ready to go out, there’s nothing really special that happens. But when I am getting ready pre-DJ, it’s not really that different in terms of the actions I do before I make it out the door. BUT it’s a lot more influenced by music. So on the music side, the majority of the time, I listen to stuff that I might play. Basically, I’ll have this large crate of stuff that I might play and just listen to that. I hang out and dance while I’m getting ready.

When I am just going out, I am not as specific about what I listen to. I think the mentality behind it is that if I am going out to hear music, I just want to be immersed in the music of whomever I am going to hear play, so I usually don’t listen to anything unless it’s specific to them. For instance, the most recent time that I remember was when I was getting ready to go hear Theo Parrish, this DJ from Detroit. I spent the whole day, not necessarily just the night of, listening to some of his stuff. But it isn’t nearly as focused. The process of getting ready before I go DJ consists of my filtering through songs, so I’ll put something on, then go back to the turntable and put a new record on, finish getting ready, then go back and forth. Sometimes, if I’m at home, I might even get stuck from what I am playing and start DJing. [laughs] It’s this weird mix of getting ready and DJing at the same time.

Does that slow you down a lot when that happens?
Yeah, but usually I spend quite a bit of time before leaving devoted to that process. I guess it’s the excitement? I don’t know. If I plan to leave the house at 11, I might spend from 8 to 11 getting ready.

What about during the day? You are a graphic designer, but I am not sure what your office environment is like. Is there a big difference in your work attire vs. what you go out or DJ in?
There’s not really a difference. I work in a studio, but it’s more chill than any other place I could imagine. I can wear pretty much whatever I want –within reason, of course. Whatever I wear on the street or out at night, I could wear at work. I think because I am just going to work and it’s this routine thing, and I’m just throwing on something in the morning, it takes 20 minutes to get ready, whereas in going somewhere else, there might be a more concentrated process and it might take a little longer.

Do you have any style icons or people you look to for inspiration?
Not really, although I tend to be inspired and intrigued by a lot of Sartorialist and GQ style, I don’t necessarily wear all of that all the time, but the majority of it I like. I think my lifestyle is a lot more casual, so I don’t end up pursuing that kind of route in a fashion sense. I do pull things from there and bring them into my casual style.

Do you think your style has changed in the past few years?
Yeah. When I was younger, I think I was a little more concerned with fashion. Not that I don’t care now, but I think I was a little more focused and had a little more drive in that area. I think that was part of a learning experience as well in finding out what I like and what I don’t like, things like that. And now I’ve just found what I like, and I’m quite comfortable with it. I think now it’s a bit like I’m in cruise control. I know what I like and how I like it, so I just kind of go with that.

Considering you’ve lived in several placed in California and now live in New York, in your opinion, what are some of the big differences, stylistically-speaking, between the two places?
I lived in Los Angeles County for 6 years. Most recently, I lived in Pasadena, the San Fernando Valley, and LA closer to the downtown/Hollywood area. I think Los Angeles is a lot different. I think that goes a bit with what I was saying earlier in that there is a lot more concern placed in what one is wearing there. Not that here [in NYC] there isn’t, but I think people are a little more casual and willing to just take risks. It’s like, “Oh, I wanna wear this with that.” They’re not as concerned with something being one color or another or one brand or another. They’re willing to take these risks and wear really random things or things that other people won’t wear. Of course, it’s a general assumption, but besides the winter, when everyone is wearing black here [laughs], everyone seems to wear different things and do their own thing. Over there, it was more like wearing what everyone else is wearing.

What is your perception of that aesthetic? How would you characterize the LA style? What was everyone wearing the same of?
At the time, I think it was a lot of overdone things. For example, it would involve a lot of overdone graphic things like Ed Hardy or something. And then on the other hand, there were jeans that were ripped and torn—just destroyed to shreds. Once I came to New York, there were elements of those things, but in much more of a controlled, relaxed, casual way. I think in LA, it was a bit more extreme.

What inspired your look today and made you choose the items you did?
I just wanted to find something that summed up what I wear normally. I think I would wear this while DJing or anywhere else. I didn’t want to wear anything that was over-the-top and “special” for DJing because I don’t normally do that. As I said, I usually wear grayscale with hits of color, so I made a point to pick that out, instead of just bringing the yellow shirt, which would have gone outside of what I just described.

 

AFTER

I really like your tattoos. What was the intention behind the design, the location, etc?
It was purposefully done there, but not for a clothing thing. I didn’t even think about the placement of the tattoos in terms of a relationship to clothing pieces. I did think about their location in terms of a job or workplace, but I think now it’s fairly silly—at least in the design industry—to be worried about having visible tattoos. I’ve been in meetings with clients and seen tattoos, even some people with [full] sleeves, and it’s not a big deal.

The meaning behind the tattoos have a bit to do with where they are. I think I put them here because of their proximity to my veins. Normally, my veins stick out a lot, especially here [points to forearm]. As you can tell, I’m just infatuated with music. All the time, I am listening to music. I wanted [the tattoos] to be shown and wanted to be able to see them every day. I didn’t want a cheesy band up here [points to upper arm].

They’re my equivalent to “Mom” and “Dad” tattoos. So I picked songs that are nostalgic to each of my parents. The left side is [some of the notes to] “Dear Mama” by Tupac and the right side is a song called “Be Thankful” by William DeVaughn.

- Retail DJ

Trendspotting: Slick

5 Nov

For winter 2010/2011, leather dresses in a variety of cuts (that work for many body types) are in style. There are the conventional short-sleeve shifts that can even work for day, and more unusual cuts that are strictly for nights out. For those of you who wear animal-friendly items, never fret! There are plenty of faux-leather looks as well. Take a minute to check out what’s available in-stores now!

ASOS BLACK Dress With Leather Insert Peplum, $164 USD

Gestuz Mesh Yoke Leather Shift Dress, ASOS, $276 USD

Python Leather Mini Dress, Camila and Marc, $1000 USD

Strapless Panel Dress, Halston Heritage, $368 USD

Faux Leather & Jersey Tunic Dress, Aqua, $147 USD

- Retail DJ

What’s Good? Butter

4 Nov

Butter

When I first met Brian Thomas, I mistook him for Brazilian. Afterall, in the darkness of Vegas Club on Rua Augusta in Sao Paulo, Brian’s soul spoke before he did. The universal language in this case? Music, of course, uniting what I later discovered were his very North American roots with his South American audience.

Fast forward to a few months later when Brian is sitting down with us in an apartment in Williamsburg, Brooklyn, explaining what very much sounds like the work of DJ turned savant. With a sharp ear for smooth sounds and an insatiable curiosity, Brian Thomas, better known as Butter, serves as a musical curator on the on the dancefloor and through the speakers, his live sets and mixes literally coming alive and becoming more complex as they unfold. Though somewhat of a nomad, having lived in various locations in California, traveled around the world, and more recently set his feet in New York, Brian brings his travels with him in his sets, which boast music from all around the world (one example: his mix was slightly delayed because some of the records he wanted to use were stuck in customs).

Though he presently works as a graphic designer by day, he never deserted his musical background. Having begun dabbling in DJing at an early age, Brian was initially influenced by DJs in local clubs, but his taste and style soon matured. Now citing producers like Giles Peterson and Theo Parrish as inspiration and managing a rotating music/art collective called The Mixtape Club, Brian sets out with the ultimate goal of letting tracks talk to one another, songs from the present hinting at times long past. In terms of time, his musical wisdom far surpasses the age indicated by the birthdate on his license. With a pension for vinyl, the patience to listen deeply, and the skill to put out mixes so smooth they can make you melt, Brian lives up to his moniker.

So take a moment and come with us to find out What’s Good? in our exclusive interview with Butter:

What’s Good? Butter (Exclusive Interview)

(click to play; click the small arrow on the right to download)

The background mix for this interview was created exclusively for Retail DJ by Butter. The tracklist can be found below:

01 / Suffer / Osborne
02 / Beucoup Papa ft. Fatima / Phantom Lover
03 / Angola (Bateau Ivre rework by Pepe Bradock) / Cesaria Evora
04 / Souvenir / Bob Sinclar
05 / Black Mahogani / Moodymann
06 / Wu Woomp Woomp / Ammoncontact
07 / Argonaut / Floating Points
08 / Jetsam / Recloose
09 / Merry Go Round / Maayan Nidam
10 / My Home Is Not Here / Swede:Art
11 / Mellow Dreamin’ / Young-Holt Unlimited
12 / Nectarine / Linkwood

- Retail DJ

Kim Ann Foxman – Creature (+ Live Set from Sao Paulo!)

4 Nov

Kim Ann Foxman (photo credit: deepbeep

I just got home from seeing Leo Justi, EZRAKH, Krunk Pony, and Cool Hand Luke DJ at Zamaan Bar in Brooklyn thinking that my night could not get any better (seriously, they tore it up), when I saw this on Facebook (via Alexander Technique):

so . . .

a) I love most videos in b&w

b) I love any showcasing of vogue and derivative forms of dance

and c) beyond being really interesting visually, this track is hot. I can already imagine Azari & III making a sick remix of it (if you’re reading this, remix noooow).

But being totally serious, Kim Ann Foxman has been DJing for some time (and is really good live, I should add) but may be most well-known from her work with Hercules and Love Affair (you can catch her here playing the glasses in the video, though she technically did some vocal work on the track as well (along with track lead Nomi Ruiz, who went on to form Jessica 6)).

For Kim Ann Foxman’s DJing, check out this set she did in 2009 at Vegas Club in Sao Paulo for the Ludo party:

Kim Ann Foxman – Ludo @ Vegas Club, SP (5.10.09)

(click to play; right click + save as to download)

- Retail DJ

Post-Election Blues . . . or Reds?

3 Nov

Most of the results are in (see updated information here) from yesterday’s elections, and the entire country is seeing red. . . for different reasons of course. If you look at the map, it’s almost entirely red, which is pretty shocking to see. Democrats suffered considerable losses this election, but it wasn’t an accident.

I normally don’t go into politics here on Retail DJ, but I will just come right out and say it: I think this election will affect a lot of people in ways they may not have imagined, particularly when it comes to social issues like immigration, rights for LGBT people, and provisions within the new healthcare plan. And while some may be celebrating, others may be crying themselves to sleep. Either way, music can help :-)

For those of you staying up late and victory dancing your way into Wednesday, for those of you who need a soundtrack as you kick the wall in, or for those of you who couldn’t care less but have insomnia and need something to get you through the night. This new mix from Sound Pellegrino (aka France’s Teki Latex and DJ Orgasmic, both of TTC fame) will help you, no matter which side of the fence you’re on, have a wonderful night or a happy commute to work tomorrow. Though its title has a bit to do with time travel (which I am sure a few of the Dems out there wish they could do right about now),  it’s very fitting for the here and now. With lots of new tracks (including a Homework remix of Joyce Muniz’s “Party Over Here, Party Over There” (a little trivia: one half of Homework, Tom Waist, created the video for the Muniz track), it’s sure to open a few ears and minds.

Enjoy the hell out of this. I sure did:

Sound Pellegrino Thermal Team – Post-Time Travel Nosebleed

(click to play)

via Discobelle

 

- Retail DJ

Jackmode Made My Day

2 Nov

With this . . .

JUNKIES VS RAIN (DJUMA SOUNDSYSTEM BOOT)

(click to play ; click the small arrow on the right to download)

I’m kind of a sucker for anything would a good bassline and a percussion sample, but this track, in its 7+ minutes of glory, really made me feel like jumping up and dancing.

- Retail DJ

Speaking of Dynamite . . .

2 Nov

The Boys of Kraak & Smaakkraak

Kraak & Smaak, those uber-talented Dutch DJs to whom I often show lots of love here, have come out with a remix of their track “Dynamite.” It’s quite a fitting name considering that this funky track sounds just as good in both its original and remixed form. The track is versatile, fun, and definitely worth a play. So don’t be shy, have a listen! Bomb’s the word.

Kraak & Smaak – Dynamite

 

Kraak & Smaak – Dynamite (Kraak & Smaak’s Boogie Funk Version)

 

- Retail DJ

 

Katy B (feat. Ms. Dynamite) – Lights On (video)

2 Nov

Katy B

UK songstress Katy B’s newest single (and video) pretty much puts into words what I feel whenever I go out. I, too, keep dancing once the lights come on and rarely want the night to end. If there’s a good DJ at the helm, it’s always a pity for 4 am to roll around and we’re all sent packing. Her track is one I can’t get enough of, and it gets me motivated for a long day at work or a night out. Enjoy:

- Retail DJ

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